...or maybe two.
First thing. If you guys were unclear on the size for the postcards, the dimensions were 150% larger than original the final size of 5 x 7. That means the art needs to be completed at 7.5 X 10.5 inches. Feel free to work larger than that. I call myself making...myself...clear on that one, but in the event that I didn't, I offer apologies. As a general rule of thumb, though, it's always best to work 125 to 150% larger than your print size will be.
I had originally hoped that we could print our map pieces at 16 X 36, but alas, we were unable to secure the roll of paper for the swank printer. There are two options. If you print on 11 X 17 paper change your dimensions to 7.111 X 16 inches. If you print on 13 X 19 paper then your output dimensions need to be 8 X 18 inches. It would be nice if everyone printed on the same size paper, but I won't cry if you don't. I'm hoping that most people will see this before printing and choose 11 X 17 as I know some of you already have. I'll be in DA3 to collect them between 8:30 and 9-ish.
Second thing. Thanks so much for the card and the vomit. (I like saying that) I was honestly very touched by it. I hope that I did a good job for you guys this semester and that you not only learned some new things which will help you in your illustration studies and careers, but that you also enjoyed it. I had a blast and I learned a lot as well. So...thanks for all your hard work and thanks for teaching me some new things as well. If ever in the future you guys need or want input, feel free to contact me. I look forward to seeing your work as it progresses. I'll miss you guys.
Thanks again,
Shane
Monday, March 26, 2007
NPDA Update-o-rama
This is serious business, folks. If you've met with your groups, cranked out some work, and been to an NPDA broadside meeting(critique) or two...then give yourself a pat on the back. You've got the talent AND the dedication. Talent means a lot, but it's nothing without dedication.
If you've met with your groups, cranked out a little work, but haven't made a meeting. You're on your way. You're trying. I know work schedules don't always permit critique attendance. I appreciate the effort. Just make sure that when you try you're trying your absolute best. Illustration isn't a career field that permits anything less.
If you haven't met with your group, you haven't done any work, and haven't attended a meeting...your grade for the project is in serious jeopardy. There's still time to kick it in high gear and contribute. If there's no high gear-kicking then the grade will most definitely be a big ZERO. One zero has the power to drag a semester average down to failing.
So...if you're working your hardest you'll most likely continue to do so throughout your college career and success waits for you on the horizon. If you're kinda working, but aren't really dedicated to illustration...there could be some serious non-illustration careering lurking around the corner. But...you can turn it around and get the cool success-horizon thing too. If you're not working hard and you're not dedicated to illustration then now is DEFINITELY the time to start.
That means work, people! You're all talented and all capable, but you have to make your minds up that SCHOOL comes first.
-Shane
If you've met with your groups, cranked out a little work, but haven't made a meeting. You're on your way. You're trying. I know work schedules don't always permit critique attendance. I appreciate the effort. Just make sure that when you try you're trying your absolute best. Illustration isn't a career field that permits anything less.
If you haven't met with your group, you haven't done any work, and haven't attended a meeting...your grade for the project is in serious jeopardy. There's still time to kick it in high gear and contribute. If there's no high gear-kicking then the grade will most definitely be a big ZERO. One zero has the power to drag a semester average down to failing.
So...if you're working your hardest you'll most likely continue to do so throughout your college career and success waits for you on the horizon. If you're kinda working, but aren't really dedicated to illustration...there could be some serious non-illustration careering lurking around the corner. But...you can turn it around and get the cool success-horizon thing too. If you're not working hard and you're not dedicated to illustration then now is DEFINITELY the time to start.
That means work, people! You're all talented and all capable, but you have to make your minds up that SCHOOL comes first.
-Shane
Scanning Line Art
So...you wanna know how to scan line art and create layers in photoshop.
Well...I'll tell you. Take out paper and a pencil...or...well...just click print.
Ready??
Here we go.
If you have crisp black and white line art (not an inkwash or pencil sketch) scan it in as line art in "tiff" format. The option may vary depending on the scanner you're using. It should be something like "line art" or "black and white." Set your dpi (dots per inch) to 600. It may say ppi which is pixels per inch. Pretty much the same thing. You can scan the image into photoshop and save it to your folder later or you can scan it and send it directly into your folder. Good times. So...place your 10X14 image on the scanner so as to only get the top half of your image. Preview. Adjust your settings for line art and dpi. Scan. Repeat the process for the bottom half. Unless of course your image is horizontal and you scan them as a left half and a right half. Everyone still with me? If you're scanning an inkwash or a pencil sketch...keep everything the same as for line art, but change the mode to grayscale.
Ok...now, you've scanned both halves. If they aren't already open in photoshop you'll have to go to your folder and find them. Make sure you open them with photoshop and not picture viewer. You're going to want to go to IMAGE and ROTATE CANVAS to get them right side up. If you go to the menu bar at the top there should be an option called image. Click on image and scroll down to MODE. Change the mode to grayscale. When it's done change it to RGB or CMYK. Go up to FILE and then click NEW. In the window that pops up change your image size settings to 11 X 15 (or 15 X 11) and set the resolution to 600. Make sure you choose the mode that matches your line art. Either RGB or CMYK. The top right tool of your tool bar is the "MOVE TOOL." It's a black arrow with a weird little plus sign beside it. Click that guy. Move him over the top half of your image and drag it onto your new document. Repeat the process for your second half. Now you can use the move tool to line them up. If they're not already open...you're going to need to go to window and open your HISTORY, LAYERS, and CHANNELS. Layers and channels are docked together so you'll have to click on one of the tabs and drag it off onto the desktop to separate them. In your LAYERS pallet there should be a little white box next to the handy word OPACITY. Pick one of your layers and change the opacity to 50-ish percent. Now you can see through the image and can more easily line them up. If they're a little cockeyed you're going to have to go to EDIT and FREE TRANSFORM. You can rotate the image a bit until it lines up. When they are lined up you can set the opacity back to 100%. Go to your eraser tool in the tool bar and click on it. It's ok...he's your friend. At the top menu there should be the word brush and a number beside it. Click on the drop down arrow by the number. Now move your MASTER DIAMETER slider to 1000 or 1500-ish. Set your hardness to 0, your opacity to 30 and click on the airbrush tool. The two halves should overlap. Line the middle of your eraser with the line where your art overlaps. It may take a little moving to find it. Move your eraser along the line a few times until you've gotten rid of any areas that don't jive.
Next...Sheesh, this looks like a lot...but it's not.
Next, make sure your image halves are lined up and in the middle of the new document. Go to LAYER and FLATTEN IMAGE. Next, we make a line art and color layer. (if you remember the process I showed you on Friday...cool. If not...forget it...I have an easier way). Your layer should say background. Click and drag it down to the new layer icon in the layers pallet and it will make "background copy." Click in your background layer. Go to EDIT and FILL it with white. Go back to the background copy and call it line art...or drawing. Go to SELECT, COLOR SELECTION, and using your eyedropper tool click anywhere in the white. Now you can just press delete and you've got a line art layer. Go back to the background and click on it. Click on your new layer icon and you get layer 1 in between line art and background. Change the name to color and do all the painting or coloring in this layer.
Now...don't do anything else in the line art layer. We'll get to that later. For now...just do some painting or coloring in the color layer. Play with brush sizes, textures, and opacities. Try different tools for selecting areas and see what they'll do. Try the magic wand and polygonal lasso tools.
If you have any questions email or call me and I'll be glad to walk you through it again. If this seems like a lot and you want to wait until Friday in class that's fine...but start working on your out of class project instead. You should be working on something.
Good luck.
-Shane
posted by ShanicusMaxi
Well...I'll tell you. Take out paper and a pencil...or...well...just click print.
Ready??
Here we go.
If you have crisp black and white line art (not an inkwash or pencil sketch) scan it in as line art in "tiff" format. The option may vary depending on the scanner you're using. It should be something like "line art" or "black and white." Set your dpi (dots per inch) to 600. It may say ppi which is pixels per inch. Pretty much the same thing. You can scan the image into photoshop and save it to your folder later or you can scan it and send it directly into your folder. Good times. So...place your 10X14 image on the scanner so as to only get the top half of your image. Preview. Adjust your settings for line art and dpi. Scan. Repeat the process for the bottom half. Unless of course your image is horizontal and you scan them as a left half and a right half. Everyone still with me? If you're scanning an inkwash or a pencil sketch...keep everything the same as for line art, but change the mode to grayscale.
Ok...now, you've scanned both halves. If they aren't already open in photoshop you'll have to go to your folder and find them. Make sure you open them with photoshop and not picture viewer. You're going to want to go to IMAGE and ROTATE CANVAS to get them right side up. If you go to the menu bar at the top there should be an option called image. Click on image and scroll down to MODE. Change the mode to grayscale. When it's done change it to RGB or CMYK. Go up to FILE and then click NEW. In the window that pops up change your image size settings to 11 X 15 (or 15 X 11) and set the resolution to 600. Make sure you choose the mode that matches your line art. Either RGB or CMYK. The top right tool of your tool bar is the "MOVE TOOL." It's a black arrow with a weird little plus sign beside it. Click that guy. Move him over the top half of your image and drag it onto your new document. Repeat the process for your second half. Now you can use the move tool to line them up. If they're not already open...you're going to need to go to window and open your HISTORY, LAYERS, and CHANNELS. Layers and channels are docked together so you'll have to click on one of the tabs and drag it off onto the desktop to separate them. In your LAYERS pallet there should be a little white box next to the handy word OPACITY. Pick one of your layers and change the opacity to 50-ish percent. Now you can see through the image and can more easily line them up. If they're a little cockeyed you're going to have to go to EDIT and FREE TRANSFORM. You can rotate the image a bit until it lines up. When they are lined up you can set the opacity back to 100%. Go to your eraser tool in the tool bar and click on it. It's ok...he's your friend. At the top menu there should be the word brush and a number beside it. Click on the drop down arrow by the number. Now move your MASTER DIAMETER slider to 1000 or 1500-ish. Set your hardness to 0, your opacity to 30 and click on the airbrush tool. The two halves should overlap. Line the middle of your eraser with the line where your art overlaps. It may take a little moving to find it. Move your eraser along the line a few times until you've gotten rid of any areas that don't jive.
Next...Sheesh, this looks like a lot...but it's not.
Next, make sure your image halves are lined up and in the middle of the new document. Go to LAYER and FLATTEN IMAGE. Next, we make a line art and color layer. (if you remember the process I showed you on Friday...cool. If not...forget it...I have an easier way). Your layer should say background. Click and drag it down to the new layer icon in the layers pallet and it will make "background copy." Click in your background layer. Go to EDIT and FILL it with white. Go back to the background copy and call it line art...or drawing. Go to SELECT, COLOR SELECTION, and using your eyedropper tool click anywhere in the white. Now you can just press delete and you've got a line art layer. Go back to the background and click on it. Click on your new layer icon and you get layer 1 in between line art and background. Change the name to color and do all the painting or coloring in this layer.
Now...don't do anything else in the line art layer. We'll get to that later. For now...just do some painting or coloring in the color layer. Play with brush sizes, textures, and opacities. Try different tools for selecting areas and see what they'll do. Try the magic wand and polygonal lasso tools.
If you have any questions email or call me and I'll be glad to walk you through it again. If this seems like a lot and you want to wait until Friday in class that's fine...but start working on your out of class project instead. You should be working on something.
Good luck.
-Shane
posted by ShanicusMaxi
National Portfolio Day Broadside
Class,
As you know MCA enters the National Portfolio Day Broadside contest every year. This year is no exception and your talents are needed. The teams have yet to be decided, but there will be the mingling of designers, illustrators, and photographers. There are to be three meetings to discuss and critique the work. These will take place on Tuesdays during lunch. The dates have also yet to be decided so I need to know what your schedules are like on Tuesdays. Email me or reply to this as soon as you can and let me know so we can figure out the best possible meeting times. Your grade will be determined by the finished product and not just from your contribution to it. This will replace either the second or third out-of-class assignment.
cheers,
Shane
As you know MCA enters the National Portfolio Day Broadside contest every year. This year is no exception and your talents are needed. The teams have yet to be decided, but there will be the mingling of designers, illustrators, and photographers. There are to be three meetings to discuss and critique the work. These will take place on Tuesdays during lunch. The dates have also yet to be decided so I need to know what your schedules are like on Tuesdays. Email me or reply to this as soon as you can and let me know so we can figure out the best possible meeting times. Your grade will be determined by the finished product and not just from your contribution to it. This will replace either the second or third out-of-class assignment.
cheers,
Shane
Thumbnail Homework
Hey Class,
Just in case there is confusion about the homework...I've posted this handy little message.
There are two assignments. An in class assignment and an out of class assignment. EACH of them require 40 thumbnails.
1.) In Class Editorial Assignment: 40
You could choose from either the "evil boss" story or the "pet friendly home" story. There should be 40 thumbnails for one of these...or 20 for each of them. Or 15 and 35. I don't really care. Just that there are 40 thumbnails for the editorial piece.
2.) Illustrate a Cliche: 40
I want to see 40 thumbnails for this assignment too. (hold the groans) You can do thumbnails for any of the cliches on the list, but it's in your best interest to do more thjmbnails for fewer cliches as opposed to a few thumbnails for every cliche on the list. Please excuse the run-on sentence.
Just in case there is confusion about the homework...I've posted this handy little message.
There are two assignments. An in class assignment and an out of class assignment. EACH of them require 40 thumbnails.
1.) In Class Editorial Assignment: 40
You could choose from either the "evil boss" story or the "pet friendly home" story. There should be 40 thumbnails for one of these...or 20 for each of them. Or 15 and 35. I don't really care. Just that there are 40 thumbnails for the editorial piece.
2.) Illustrate a Cliche: 40
I want to see 40 thumbnails for this assignment too. (hold the groans) You can do thumbnails for any of the cliches on the list, but it's in your best interest to do more thjmbnails for fewer cliches as opposed to a few thumbnails for every cliche on the list. Please excuse the run-on sentence.
Illustration 3 and 4
well...it's the first day of class and i'm posting to my blog as well as my live journal. Fancy. Unfortunately, I have nothing of any weight to discuss at the moment so I'm just filling up space. I suppose I could research one of the illustrators on the list, but I've kinda already done that. Mayhaps later. For the time being this will have to suffice. The students are working ever so dilligently and I've more assignments to hand out...so...I'm off.
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